The Naked Gun (2025)
6/10
Starring
Liam
Neeson
Pamela
Anderson
Paul Walter Hauser
Directed
by Akiva Schaffer
One of the things I liked about the movie that
actually made me laugh out loud was when the new Frank Drebin (Liam Neeson) and
the new Ed (Paul Hauser) knelt before the picture of the old Frank and Ed, and
you then discover that this movie is not a remake, but it accepts the death of
Leslie Nielsen and this movie is about Frank and Ed Junior.
The comedy works here. The whole coffee
infatuation in the movie was funny, the dialogue was amazing, and the inner
voice of Frank says some of the most off-putting things that make you raise an
eyebrow.
The chemistry between Neeson and Anderson’s
characters is not just something critics say for fun, it is actually amazing.
The way they played off each other on screen had me amazed.
A lot of things work in this movie. That is
what made seeing it fun and made it actually rewatchable.
The plot follows Lt. Frank Drebin Jr. of the
Police Squad, a role his father once held. Frank ruled a current accident as
suicide until he was approached by the deceased’s sister, Beth (Anderson), who
convinced him to look deeper into the case, insisting her brother would never
kill himself.
The investigation led to us meeting the
powerful tech mogul the deceased worked for. As expected from the franchise,
the film has a barrage of slapstick chaos, sight gags, and rapid-fire comedic
one-liners, all revolving around the mysterious P.L.O.T. Device. The acronym
stands for “Primordial Law of Toughness”, a dangerous gadget capable of turning
ordinary people into violent, primal versions of themselves.
The movie starts with the stealing of this
gadget, and how the gadget, the tech mogul, and everything else fit together is
one thing we and Frank have to resolve while we watch this movie.
In the end, I am seeing that the movie is not
making waves at the box office. I guess there is a particular audience for this
kind of comedy, and such people would rather stream it than sit in the cinema
to see it. Also, the movie had this midway lull where its pace seemed to drop
before picking up again. Some of the jokes were excessive and seemed forced, so
not all of them landed as they should.
Then there is the comparison of Neeson’s acting
to Nielsen’s. Nielsen had the absolute mastery of deadpan silliness in a way
that just amazes you. Now Liam Neeson is not blessed with such calibre, so we
had to deal with his gravel looks and acting to play off the needed deadpan
delivery for the character of Frank Drebin. This, for me, can be seen as a
flaw, but it depends on how you look at it.
I recommend you see this movie because of the
way the plot unfolds and the way the comedy is well twisted in.

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